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The real conflict arises when he breaks down with all the misery, with a self-provoking monologue in almost DeNiro-style and accidentally changes his relationship status on the social media, to being committed. All the comic shticks related to this offer the comedic punches without much insight about his character.
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Hell breaks loose for him, when, just like every year, his birthday arrives on the 14th of February- the Valentine’s Day. Similar to Girlfriend – WELCOME HOME REVIEW: A CEREBRAL DECONSTRUCTION OF THE INSTITUTIONS But, the miserable Nachu (what his parents call him) hasn’t been in a relationship because of many reasons from self-pity to absent-mindedness. In the contemporary Marathi family, being ‘that old’ comes with its share of social pressure to have been married to possibly having had kids of their own. He lives with his parents and a younger brother. Nachiket Pradhan (Amey Wagh), the protagonist of Girlfriend, is somewhere in his late-twenties or early-thirties. However, writer-director Upendra Sidhaye is able to subvert these clichés to showcase something extremely personal, while highlighting the ‘what’s’ behind all these visual and behavioral cues. Everything reflects through Nachu, the hero.
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Be it an earphone constantly hanging from his t-shirt or the constant anxiety to even face any apparent ‘crush,’ to be completely unaware about his own appearance and hardly having the dressing sense. What can be funnier for a film titled Girlfriend, to have a poster-boy who has been ‘eternally’ single? The hero, who is often a part of ridicule and his own misery, takes the center-stage and taps into every familiar trope assigned to those like him.